Theresa-Anne Mackintosh Pretoria, South Africa, b. 1968

Works
  • THERESA-ANNE MACKINTOSH, Blaze, 2025
    Blaze, 2025
  • THERESA-ANNE MACKINTOSH, Buena Suerte, 2010
    Buena Suerte, 2010
  • THERESA-ANNE MACKINTOSH, In a heartbeat, 2024
    In a heartbeat, 2024
  • THERESA-ANNE MACKINTOSH, Living Continuity II, 2023
    Living Continuity II, 2023
  • THERESA-ANNE MACKINTOSH, On point, 2019
    On point, 2019
  • THERESA-ANNE MACKINTOSH, Paused state, 2024
    Paused state, 2024
  • THERESA-ANNE MACKINTOSH, Pink butterflies, 2022
    Pink butterflies, 2022
  • THERESA-ANNE MACKINTOSH, Red Pools, 2023
    Red Pools, 2023
  • THERESA-ANNE MACKINTOSH, Stark, 2013
    Stark, 2013
  • THERESA-ANNE MACKINTOSH, Straights, 2019
    Straights, 2019
  • THERESA-ANNE MACKINTOSH, The Tie-In, 2013-2018
    The Tie-In, 2013-2018
  • THERESA-ANNE MACKINTOSH, Tongue, 2019
    Tongue, 2019
  • THERESA-ANNE MACKINTOSH, Tread gently, like you're walking on ice, 2025
    Tread gently, like you're walking on ice, 2025
Overview

Theresa-Anne Mackintosh obtained her BA in Fine Art (1990) and her MA in Fine Art (1995) from the University of Pretoria, majoring in painting. Shortly after her studies, she began to explore her keen interest in animation, adding this to a broad platform of artistic practice that includes painting, drawing, sculpture, and other digital media.

 

Theresa-Anne has had ten solo exhibitions to date and has participated in numerous institutional group exhibitions in South Africa. In 2008 she was awarded a grant to attend the European Ceramic Work Centre Residency, Hertogenbosch, Netherlands

which has informed her practice as a sculptor since. Mackintosh’s work has been widely collected by many of the country’s most prominent private and corporate collections. She currently lives and works in Pretoria.

 

Theresa-Anne develops her work from a position of quiet but intense subjectivity, primarily focused on the anthropomorphic figure, the underlying functions of the physical body and collective human experience. Mackintosh’s graphic sensibility is underpinned by a desire to strip recognisable forms down to their core, exposing the emotional and primal characteristics of her subjects.

Exhibitions